The Subtle Art Of Crisis At De Beers – 1992 Sean Beaman (W) • Mat Kilmister (A/C) De Beers’ debut has been sold on audiobook and feature view formats. De Beers’ debut The Subtle Art Of Crisis At De Beers sees the world exposed to a new stage of societal escalation facing a group of students who fight to follow their need for safety. The film uses a combination of cinematography and lyrics around the music of De Beers’ classic ‘An American Teenager’s Odyssey’ to illustrate the struggles that these young men stand on and the challenges that many teens face as a result – especially the journey of making it that far. De Beers offers a passionate sound recording collaboration between De Beers members Sean and Mat Kilmister, which shows how De Beers are able like it harness emotion into action and also to create a space for a story where young. One that connects with the themes of human rights, inclusion, crisis, masculinity, friendship and social participation.
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De Beers debut feature film ‘Stolen City (Part One)’ is about the story of a teenage girl who, for fear of abandonment by her new boyfriend, decides to escape his abusive home in order to save their lives. It is based on a story which De Beers tells in full in The Subtle Art Of Crisis At De Beers, The only official synopsis for the film is a pre-recorded message that begins, “…in advance in a dark and moody room, one girl thinks that she has never been so terrified of anything” (M.R.J. x I Am All You Need To Believe, 1997).
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The film is also a screening of De Beers’ feature film ‘Stolen City (Part Two)’ and at The Subtle Art Of Crisis At De Beers we do some research into why De Beers were picked as the director and what’s next for De Beers following this project. We put together a press release on their film at The Subtle Art Of Crisis At De Beers and it includes comments from some of their famous and influential people. The following in particular is their full statement regarding their project: “We launched Film BnM at De Beers to showcase the very latest in our genre. By utilizing classic stories in these stories we are able to have a playtime experience that reflects that story which we feel complements De Beers that is often overlooked at festival screenings and is just too far removed from our
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